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I also hate the 2352 or whatever different models gibson sells. I believe the sg '61 reissue's strength lies in its simplicity, a slim mahogany body and neck plus a rosewood fretboard powered by gibson's '57 classic pickups create a clear and balanced tone with solid sustain. The longer the notes last, the bigger will be the differences
An sg's tone decays faster and will sound thinner compared to that of les paul guitars There may always be preferred year neck shapes, like the 61 slim taper, that dives little but provides the easiest access all the way to fret 22. These provide more sustain and an overall rounder tone than sgs.
To my guess charlie brown, the bevel police officer of the board, would say that the sg 61 shape is the very one for sgs
Two of my sgs have different body and neck contours, two have the 61 shape, and the differences are truly significant Nashville), and platings (nickel vs. I just saw on sweetwater that the '13 gibson sg standards are being modeled after the '61 gibson sg re issues My question is are the neck joints strong on the re issues
From all the research i've gathered, i'm understanding that gibson started stamping the. 2013 was magical, for gibson sg's I bought 3, that year, and my first one, in 40 years, in december of 2012.which was the '61 sg reissue satin finish I have no regrets, whatsoever, making any of those purchases
2012 satin reissue '61 sg 2013 sg original w/maestro vibrola kirk douglass signature sg custom w/maestro les paul tribute sg w/sideways vibrola they all sound.
Im really thinkin this must be the stepchild of the sg line Introduced in 1980, it appears to have had a short, vague and misguided life Its begginings were simple as it was simply a the sg (standard) made from natural finish mahogany rather than walnut and getting its name from the gibson. The sg neck shape has been evolving since its introduction in 61
I believe that the sg neck has possibly changed more than any other gibson
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